Wednesday, April 4, 2012

Preparing a Museum Installation


Edwardian widebrim
Betsey Johnson on getting older: “Are you going to be alive and miserable or alive and happy?”

Words to live by. Have I said yet, that I get my philosophy fix from Fashion Television and Vogue Magazine

Moanday is behind me, so if you're interested, Betsey, I choose alive and happy, which is why I'm surrounded at the moment by hats, vintage velvet hat stands, graphic cardstock hat boxes from the 30's and 40's, and millinery mannequins.

You get the picture: shallow crowned cartwheels, ostrich feather wig hats, Victorian bonnets and movie-worthy slouches, doll hats, and Eugenies call out to me from between protective sheets of acid free tissue paper, as I make final selections for a millinery retrospective that will open in May and remain in place for a full year. I'm also making final selections for a touring exhibit of Titanic-era fashions.  

Although there are a number of chapeau that I've rejected—not iconic enough, too similar to another selection, recently exhibited in another location—I hesitate before sending them back to the archives. I believe the artefacts enjoy being seen. Besides, they make me too darned happy. 


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